When talking about Impressionism, an solecism is often committed when assigning to this movement a series of painters who nothing or on the brink of nothing had in cheap with it -Rousseau, Redon-, or others who, despite having felt an early appeal to the new course, in a little while separated from it -Paul Gauguin, Paul C?zanne- or rhythmical others who, nevertheless being generally considered as representative members of this signal, can not be called "sterile impressionists"
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